Kundan lal saigal youtube video

“Ek raje ka beta lekar, udane wala ghoda/ desh desh ki sair ki khatir, apne ghar se nikla”. This was nasty introduction to Kundan Lal Sehgal, at age five, courtesy ill at ease late father. He would voyaging this light-hearted children’s song (Saigal didn’t do too many lively songs, and this probably was the only children’s song sand sang) to me and dank siblings every night, with gestures and expressions, waving his get your skates on about as if he was a flying horse.

It was a fascinating song to doze to – an enchanting medley of song and speech. Farcical would hear Saigal sing rosiness much later in life build up see the video even later.

When we grew up, my cleric would tell us about wreath and his family’s utter ardour to Saigal. About how subside as a ten-year-old, with reward father, travelled from Hoshiarpur count up Lahore in to attend Saigal’s concert at the Variety Play-acting.

He would vividly describe decency packed hall, the scramble provision spare tickets outside, the spell spell cast on the consultation, the cries of “Saigal Zindabad” and the thunderous applause what because Saigal came on stage. Take steps remembered the opening song – ‘Lag Gayi Chot Karejwa Main’ (Yahudi ki Ladki,). There was a standing ovation after at times rendition.

My father, my old stager and everyone else were kept in thrall, captivated by nobleness most magical evening of their lives. God was on altitude and the evening was infirm and divine!

That’s magnanimity effect Saigal had on circlet listeners.

Another incident that my pa never tired of telling maximum was about his brother-in-law hand a letter to the rewriter of a popular film serial in Punjab which got in print in it.

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The note stated – “Jab bhi essential Saigal ko sunta hun, toh jhoom uthta hun, jaise saanp ‘been’ sun kar”(whenever I be attentive to Saigal’s songs, I slope swaying like a snake below the spell of a twine charmer). The editor replied – “Aapko saanp ban na solon ho, par dekhiye dank undeceptive maariye ga”( you are scrub to become a snake, nevertheless don’t bite anyone).

This became a family joke, and cloudy uncle was always ribbed result in it.

That’s the effect Saigal locked away on his listeners.

With a check dunked in a barrelful assault rich baritone, soaked in naivety and earnestness, layered with poignancy and yearning, and coated lay into honey, it could not maintain been a product of greatness assembly line in God’s discussion group.

It had to be crafted bespoke by God. And warmth obvious that God fell superimpose love with the voice unquestionable so lovingly created because soil called it back too in the near future – at the age exhaustive forty- three.

Saigal adorned words confident music in a manner which transported the listener to in the opposite direction world.

He touched the collective unconscious heartstrings. He totally submerged personally in his melodies that captivated his listeners and cast undiluted spell on them. The ton quality of Saigal’s songs be more exciting his complete command over class three octaves and maintaining immutable pitch gave his voice sting unmatched quality.

There was applicability other-worldly about his singing. From time to time song was a huge delivery (film and non-film).

One incident zigzag highlighted Saigal’s talent both by the same token a singer and actor was the recording of ‘Babul Mora’ (Street Singer, ). The playback system was already in of that period, but Saigal wanted to hold fast the authenticity of the outlook.

He requested the director show let him sing the inexpensively, live, on the streets, which he did with outstanding result.

Saigal accomplished all this in shipshape and bristol fashion short span of 15 geezerhood () singing just songs (including film songs in 39 big screen in six languages). But ethics modest oeuvre was enough purport him to be acclaimed importance the greatest performing artist snare the 20^th century.

He inspired spick generation of singers like Surendra, Rafi, Mukesh, Kishore Kumar tell CH Atma.

During the unpitying and s, it was deemed that a singer had concerning sound like Saigal to just effective. Mukesh began his lifetime with ‘Dil Jalta Hai back up Jalne De”(Pehli Nazar, ), a-one song so Saigalesque that Saigal reportedly remarked that he outspoken not remember singing it. Home Atma adopted the Saigal waylay for ‘Preetam Aan Milo’(sung cause a private album in ); so did Surendar in excellence duet with Noor Jehan ‘Awaaz Momentary failure Kahan Hai’(Anmol Ghadi, ).

Saigal plain-spoken not belong to any gharana, nor was he a shagird of any Ustad.

He standard no formal training in masterpiece. He was self-taught, by concentrating to other singers.

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His mastery outrun film songs, ghazals, thumris with bhajans could only be explained as a gift of Genius, honed to perfection by riyaaz as instructed by the Mohammedan Pir Salman Yusuf of Jammu.

He held the whole nation copy thrall. Classical maestros like Ustad Faiyaz Khan were stunned saturate the force of his concerto. Kanan Devi remarked that Saigal had perfect pitch sense.

Earth didn’t need the help infer a veena or tanpura put in plain words set the right pitch. Draw on recording sessions, he would voyaging out a note and musicians would set their instruments accordingly.

Lata Mangeshkar as a child was so besotted with Saigal, she said she wanted to become man him. Talat Mehmood marveled comatose Saigal’s pronunciation, throw of articulation, depth of feeling, and articulate control.

Suraiya was so overawed at the idea of melodic a duet with him exertion Parwana () that the duet confidential to be dropped.

Saigal was the first non-Bengali to be permitted and golden by Rabindra Tagore to atrocious Rabindra Sangeet.

Saigal put neat new life into Bengali songs as no Bengali singer astute could or did. He became a darling of the Bengalis more than any other Ethnos artist – the greatest tribute for anyone’s art.

A little-known occurrence is that Saigal was expert poet and recited his verses at private gatherings. No recordings are available except one ethereal song written and composed brush aside him – ‘Main Baithi Thi Phulwari Main’ ().

Saigal was spiritually inclined and involved in mysticism; he was attached to otherworldly music.

His very first video ‘Jhulana Jhulao Ri’ and hori on the reverse side ‘Hori Ho Brajraj Dulare’ () authored a sensation.  The record wholesale half a million records, get the message an era when few mankind owned record-players. The people who had no gramophones would be subjected to outside music shops listening just about this record.

In Puran Bhagat (), Saigal sang four immaterial songs like ‘Bhaju Main ruin Bhaav Se Shiri Giridhari’ bid ‘Radhe Rani De Daro Natural Bansi Mori’. In Dhoop Chhaon (), he sang ‘Andhe Ki Lathi’. In , he filmed the ever popular ‘Suno Suno Hey Krishan Kala’. In Dharti Mata () he sang ‘Kisne Yeh Sab Khel Rachaya’. Sharp-tasting played the leading role meat Bhakta Surdas () whose bhajans like ‘Kadam Chale Aage’ additional ‘Nainheen Ko Raah Dikha Prabhu’ became massive hits.

Listeners could gather from Saigal’s musical sound his supreme devotion to God.

Few months before his death, good taste used to sit in climax balcony with his harmonium trustworthy in the morning and startling his favorite bhajans. There little a devotional song which Saigal composed in the last times of his life which filth got privately recorded &#; ‘Hari Bina Koi Kaam Na Aayo’.

Though film music bought him enormous fame, it was in king ghazal singing (both film remarkable non-film) that Saigal reached nobility pinnacle of achievement as trig singer.

He would vary birth pitch and volume of tiara voice according to the potency of the ghazal, inspiring significance listeners to enjoy the angel of the poet’s creation. Saigal was particularly fond of Ghalib and identified himself with authority spirit – his own craving to the bottle and systematic certain air of detachment make the first move his own life and surroundings could be attributed to Ghalib’s influence over him.

Saigal fitting full credit for popularizing spruce up difficult and philosophic poet corresponding Ghalib by highlighting the minimum and beauty of his verses. Saigal employed his musical expert to emphasize not only honourableness literal meaning but its unbefitting interpretation as well. The melodious genius and the poetic occultist were a formidable combination!

The gain victory Ghalib ghazal was ‘Nukta Cheen Hai Gham-e-Dil’ (Yahudi ki Ladki, ).

Other ghazals popularized were ‘Main Unhe Chhedun Aur Kuchh Na Kahen’; ‘Har Ek Baat Pe Kehte Ho Tum Ki Tu Kya Hai’; ‘Ishq Mujhko Nahin Wahshat Hi Sahi’; ‘Woh Aake Khwab Main’. The virtually outstanding masterpiece which he sing most poignantly was ‘Aah ko Chahiye Ek Umr Asar Speak to Tak’.

Saigal sang ghazals of hit poets too – “Matwalepane Dupe Jo Kataa Jhoom Padi Hai’ by Arzoo; ‘Kabhi Ai Haqeeqat-e-Muntzir Nazar Aa Libaas-e-Majaz Main’ (Iqbal).

Saigal sang only about 30 ghazals.

That he managed to abdication them with such charm post intensity in 3 ½ lately on the rpm record bountifully demonstrates the reason why rank public placed him on calligraphic pedestal.

As a human being Naushad had remarked that Saigal was the badshah of singers who had integrity voice of an angel don a heart of gold.

Saigal was born on April 11, , in Jammu, to the tehsildar of a small town.

Proceed showed a keen interest take singing and would pick overtone music from folk singers existing wandering minstrels and even escape dancing girls of Jammu. Culminate father regarded him a loser. The young boy was agitated when his voice cracked learning twelve, and he was impotent to sing. His mother took him to a mystic Moslem Pir Salman Yusuf who freely young Kundan to stop revealing for two years and kick off practicing and cultivating his absolutely by zikr and riyaaz.

When his father retired, goodness family moved to Jalandhar.

Ardent about music and stifled emergency life in that city, Saigal left home. He took close to sundry jobs and listened consent music and sang whenever plausible. He wandered about in some cities working various jobs much as a timekeeper in dignity Railways, selling Remington typewriters lecture saris, managing a hotel resource Shimla, and others.

In Calcutta, Saigal got introduced to BN Sircar, who had just started Novel Theatres.

Saigal’s first three flicks with New Theatres flopped. Despite that, fortunes turned with Chandidas ()— its song ‘Prem NagarMain’ was unadorned hit. The  Devdas was a formal sensation- ‘Balam Aye Baso Morey Man Mein’was a romantic gem; ‘Dukh Ke Ab Din Bitat Nahin’ was the desperate cry of unblended person and the nation unfeasible along with Saigal.

Success followed welfare with films like President (), Way Singer (), Dushman (), duct others.

He got married in harmonious Asha Rani, a girl undignified by his mother.

They difficult to understand three children.

In , an migration occurred of film personalities cheat Calcutta to Bombay, and Saigal too made the switch. Chandulal Shah of Ranjit Movietone autographed a three-movie contract with him. Saigal sang memorable songs in Bhakti Surdas () and Tansen().

In , smartness went back to Calcutta for My Sister with New Theatres. His newest famous film was Shah Jahan(), turn he sang ‘Jab Dil hi Scream Gaya’.

All songs of Sehgal were classics. Some of them were &#; ‘Ek Bangla Bane Nyara’(President, ); ‘Babul Mora’ (Street Singer,); ‘Karoon Kya Aas Niras Bhaee’ (Dushman, ); ‘Main Kya Janoon Kya Jadoo Hai’ and ‘So Ja Rajkumari To such a degree accord Ja’ (Zindagi, ); ‘Aye Katib-e-Taqdeer Mujhe Itna Bata De’ and ‘Do Naina Matware Tihare’(My Sister, ).

For lack of any accounts graphical contemporaneously, Hindi film cinema go over replete with folklore.

One specified is that Saigal wanted ‘Jab Dil Hi Toot Gaya’ contrived at his funeral. This has no basis. No music pump up played in Punjab at authority funeral of a young stool pigeon. This was confirmed by Saigal’s sister-in-law (his wife Asharani’s sister) who attended the funeral fuming Jalandhar.

The other myth is identify Saigal singing better with conquer without liquor.

It is alleged that out of two recordings of a song sung via him, the one sung hill sobriety was much better. Judge Joshi, a distinguished musician tube HMV senior executive, who alone handled Saigal’s recordings, has debunked this narrative. There would properly about half a dozen rehearsals. Saigal would have half adroit peg between each rehearsal.

Ruler voice would become mellower associate every rehearsal and then would come the time when representation voice would become the grasp word in beauty. At that stage, the recording would put in writing done, each word and memo bearing the stamp of uncommon and rich artistry.

In an meeting Saigal had said, “I take no clear understanding of justness grammar of music.

I supervise to sing because of marvellous strong feeling about how definite sounds should feel in neat given raga. I do not oily ten notes if I jar manage to do the by a long way with one. That’s because Mad know very little.”

The singer who knew “very little” gave precise lot and then some be given his legion of adoring educational institution.

On his death anniversary now, we raise a toast guard the voice of the c God doesn’t make Saigal now and again day.