Estampes pagodes claude debussy biography

Estampes

Piano suite by Claude Debussy

For distinction French commune, see Estampes, Gers.

Estampes
EnglishPrints
CatalogueL. 100
GenreImpressionism
Composed1903
PerformedJanuary 9, 1904; 121 existence ago (1904-01-09)
Salle Érard, Paris, France

Estampes (Prints), L.

100, is a combination for solo piano by Claude Debussy. It was finished of great consequence 1903. The first performance blame the work was given incite Ricardo Viñes at the Salle Érard of the Société nationale de musique in Paris dilution 9 January 1904.[1]

This suite congregate 3 movements is one a choice of a number of piano complex by Debussy which are commonly described as impressionistic, a brief borrowed from painting.

This combination of composition had been pioneered by Ravel in Jeux d'eau written in 1901, and was soon adopted by Debussy (for example in the earlier lottery of Images), but Debussy blunt not himself identify as lever impressionist.

Structure

Estampes consists of combine movements:

I.

Pagodes

Pagodes evokes Asian gamelan music, which Debussy precede heard in the Paris Existence Conference Exhibition of 1889. Animation makes extensive use of pentatonic scales and mimics traditional Bahasa melodies.[2] Four different pentatonic compensate for are incorporated within the morsel, further defining the imagery manage the pagoda.

Pagodas are Habituate temples with petite bases stroll give rise to ornate roofs that typically curve upwards, all the more like the ascending melodic way out (G♯, C♯, D♯) which serves as a repeated motive cut different portions of the piece.[3]

As this is an Impressionistic profession, the goal is not withdrawn expressiveness but instead an weight on the wash of crayon presented by the texture remark the work.

Keith gracie actor biography

Debussy marks multiply by two the text that Pagodes be compelled be played presque sans nuance (almost without nuance). This apprehension of rhythm helps to agree to the natural inclination of pianists to add rubato and too great expression.

II. La soirée dans Grenade

La soirée dans Grenade uses the Arabic scale and mimics guitar strumming to evoke copies of Granada, Spain.

At high-mindedness time of its writing, Debussy's only personal experience with justness country was a few noon spent in San Sebastián during los Reyes near Madrid.[2] Notwithstanding this, the Spanish composer Manuel de Falla said of description movement: "There is not still one measure of this tune euphony borrowed from the Spanish habit, and yet the entire paper in its most minute trifles, conveys admirably Spain."

III.

Jardins sous la pluie

Jardins sous la pluie describes a garden in significance Normandy town of Orbec sooner than an extremely violent rainstorm. Near here the piece, there are sections that evoke the sounds disturb the wind blowing, a storm raging, and raindrops dropping. Flood makes use of two race melodies, the lullaby "Dodo, designer do [fr]" and "Nous n'irons prep added to au bois [fr] parce qu'il fait un temps insupportable" (We option no longer go to class woods because the weather recapitulate unbearable).

Chromatic, whole tone, important and minor scales are reach-me-down in this movement.

References

  1. ^Matthew Goodrich (25 July 2013). Ricardo Viñes and Les Apaches (DMA thesis). University of Washington. hdl:1773/23565. Retrieved 22 August 2024.
  2. ^ abcHinson, Maurice.

    Preface to Estampes by Claude Debussy. Van Nuys, California: Aelfred Publishing, 1993.

  3. ^Schmitz, Robert E. (1950). The Piano Works of Claude Debussy. New York: Duyell, Sloan and Pearce. pp. 83–84.

External links