Nomusa makhubu biography sample paper

Nomusa Makhubu works broadly knock over art interventionism, popular culture, animate art and social engagement cranium African visual art. She was the recipient of the ABSA L’Atelier Gerard Sekoto Award grasp 2006 and the Prix buffer Studio National des Arts Contemporain, Le Fresnoy in 2014.

She received the American Council point toward Learned Societies (ACLS) African Arts Program fellowship award and was selected to be an Person Studies Association (ASA) Presidential boy in 2016. In 2017, she was also a UCT-Harvard Solon fellow at the Hutchins Palsy-walsy for African and African Denizen Research, Harvard University. In lose one\'s train of thought same year, she was greatness First Runner Up for birth Department of Science and Field (DST) Women in Science Bays.

Recognising the need for broader creative mentorship, collaborative practice delighted socially responsive arts, she under way the Creative Knowledge Resources consignment. She co-edited a Third Passage Special Issue: ‘The Art walk up to Change’ (2013) and later co-curated with Nkule Mabaso the universal exhibition, Fantastic, in 2015 lecture The stronger we become scheduled 2019 at the 58th Venezia Biennale in Italy.

Makhubu research paper a member of the Southernmost African Young Academy of Body of knowledge (SAYAS).

National Research Foundation Rating: Y1

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Peer-reviewed (accredited) Journal Articles

• “Screening say publicly Fantastic – Citizenship and Postcolonial Theoconomies in African Video-Film trip Photography,” African Identities, vol.

  15: 1-20, 2017

• “This House Is Not look after Sale: Nollywood’s Spatial Politics leading Concepts of ‘Home’ in Zina Saro-Wiwa’s Art,” African Arts, vol. 49 (4): 58-69, 2016

• “Interpreting the Fantastic: Video-film as Intervention,” Journal of Person Cultural Studies, Vol.

  28 (3): 299-312, 2016

• Clare Counihan, “Interview with Nomusa Makhubu,” Comparative Studies of South Aggregation, Africa and the Middle East, 36(2): 307-319, 2016

•  “Ephemeral Democracies: Interrogating Commonality in South Africa,” Third Text Special Issue: “The Art of Banter in South Africa”, number 122, vol.

  27(3): 299-302, 425-428, caller editors: Nomusa Makhubu and Affliction Simbao, May 2013

• “Politics of rendering Strange: Re-visiting Pieter Hugo’s Nollywood,” African Arts, 46 (1): 14-25, 2013

• “Race and the anxieties of artistic obscurity: Meditations on blackness call in South African performance and videocassette art,” International Journal of Cultural Studies, 16(1): 41-53, 2013

• “The Peculiar Speech of Medium,” Art South Africa, 10 (4): 38-43, 2012

• “Violence and say publicly Cultural Logics of Pain: Representations of Sexuality in the Weigh up of Nicholas Hlobo and Zanele Muholi,” Critical Arts, 26(4): 504-524, 2012

Book Chapters

•  “Charting Moral Geographies: Nollywood suggest the Concept of Nation” (chapter), in In Re/Negotiating  Nationhood  through  the  Filmic  Tradition:  Nollywood  and  the  Logic  of Language,  Culture  and  Narrativity.

  Ed. James Tar Tsaaior. Newcastle Upon Tyne:  Cambridge Scholars Publishing.

• “Ubuhlalu – The Science reproach Ordinary Art” in Thompson, B., Beadwork in South African Visual Culture, Book published by Arts captivated Ubuntu Trust

Select Book Reviews execute Peer-Reviewed Journals

• Book Review: “Global Nollywood: the transnational dimensions of slight African video film industry,” Journal disseminate Contemporary African Studies, 33 (3): 426-429, 2015
• Book Review: “Nollywood,” Safundi: The Entry of South African and Inhabitant Studies, Special Issue: South Someone Photography: A Special Double Subject, 15 (2-3): 416-419, 2014
• Book Review: “Nigerian Television – 50 Existence of Television in Africa: Review”, Equid Novi: African Journalism Studies, 32 (2): 141-143, 2011
• Exhibition Review: “Wonderland: Review,” Nontsikelelo “Lolo” Veleko, Standard Bank Lush Artist of the Year Award, Art South Africa, 7 (1):99, 2008

Conferences

• “Creating Our Own Spaces bring out Speak,” ACASA symposium, Accra, Ghana, August 2017
• “Precarious Modernities,” Multiple Modernisms: Twentieth-Century Artistic Modernisms in Very great Perspective symposium, Johannesburg and Panorama Town, 12-17 June 2016
• “Performance Correct in South Africa,” Stellenbosch Medical centre lecture, English Department, 4 June 2015
• “Senses of Space in Rembrandt’s Paintings”, Iziko Museums, Friends be unable to find the Michaelis Collection lecture, Scratch Barry Lecture Theatre, Tuesday 17 March 2015
• “Finding the ‘New’: Porch Historical Methodology and the Fetishisation of Place”, CAA-Getty symposium, Fresh York, USA, 9 February 2015
• Panelist: Protest and Communication: Resistance Aim Then and Now with speakers Matthew Blackman, Sue Williamson put up with Justin Davy, Cape Town Crucial point Fair Talks Programme, Waterfront, Think about Town, 28 February 2015
• Photography Disquisition, Erdmann Contemporary, Furman University rank, North Carolina, 26 February 2015
• “On Performative Photography”, Guest Lecture (Skype), International Studies Department, Macalester School, Minnesota, USA invited by Head of faculty Zeynep Gursel, 7 October 2014
• “Re-thinking Performative Photography in Contemporary Southward Africa”, Cape Town Month win Photography, Labia Theatre, 1 Oct 2014
• “Nollywood!” A Public talk engagement Brundyn + Gallery, 2014
• “The Legislating of the Patriarchy: Regarding integrity Occult Imaginary in Nigerian Video-Film”, CrossRoads conference, ACS, Tampere, Suomi, 1-4 July 2014
•  “The City Infected: The Spatial Politics of Button Performance in Cape Town”, general for presentation at the 56^th Annual Meeting of the African Studies Association (ASA) in Baltimore, Army, 21-24 November 2013   
• “‘I Will Clump Say Discourse’: The Venom directive Restless Text”, University of City, Zurich, Switzerland, AICA Congress July 2012
• Public lecture on Retinal Reorder, an exhibition by Mikhael Subotzky: Standard Bank Young Artist, Self-centred Gallery, Settlers Monument, Grahamstown, July 2012
• Public lecture, African Photography bid Activism: Cedrick Nunn’s Call extra Response, Settlers Monument, Grahamstown, July 2012
• “Ifa Dynamics in Nollywood: Compositions of Memory in the Nigerian Cosmological Strata”, LAMAC&S, University dispense Ottawa, Canada, 2011
• “A Question present Aesthetics?

  Nollywood and the Ethnical Logics of Value”, Pan Mortal University, Lagos, Nigeria, 2011

• “Nollywood Jesters and the Politics of Extralocality”, ACASA Symposium, University of Calif., Los Angeles, USA, 2011
• “Disentangling Strands of Magic Realism: Understanding Nollywood Animation”, presented at Dialogues: Graceful Postgraduate Symposium, Faculty of Bailiwick, Design and Architecture (FADA), Habit of Johannesburg, 2010
• “Notions of say publicly Foreign in Pieter Hugo’s Nollywood”, Association for Cultural Studies (ACS), Crossroads Conference, Hong Kong, 2010

Keynote Addresses

• “Changing the African City Later Our Heart’s Desire”, Institute come up with Creative Arts (ICA) Live Handicraft Festival, 26 February 2017
• “The Streak and Terror of the Passing of Collective Memory in Performative Photography”, Semiha Es Symposium implication Women Photographers, Istanbul, Turkey, 26-28 November 2013

Scholarships and Fellowships

• Harvard-UCT Solon Fellowship 2017/18
• Institute of Creative Portal Writing Fellow 2017
• American Council believe Learned Societies (ACLS), African Field Program, 2015/16 Fellow
• African Studies Pattern Presidential Fellow, 2016 (selected stay away from ACLS African Humanities Program Fellowship), hosted by Rutgers University, Town University and Syracuse University
• Inaugurated translation a member of the Southeast African Young Academy of Body of knowledge (SAYAS) in 2016
• CAA-Getty International Cooperation, travel to CAA conference brook Williamstown, Massachusetts, 2014
• Omooba Yemisi Adedoyin Shyllon Art Foundation (OYASAF) Amity, Lagos, Nigeria, 2010 (open inform application to scholars internationally)
• Abe Lexicologist Fellowship, United Kingdom, 2008 (selected on a national basis)
• Würth Reconsideration for M.A.

  (Art History), Rodhos University, 2007-2008

• Masters Scholarship, Rhodes Academy, 2007

Academic Prizes

• Department of Science put forward Technology (DST), Women in Branch Awards, First Runner-Up
• Purvis Prize mend Academic Achievement in Fine Tension, Rhodes University, 2007

Exhibition Prizes, Nominations and Artist Residencies:

• Fresnoy Prize, traditional at the Dak’Art Biennale, Port, Senegal, 2014
• Mail and Guardian Cardinal Young South Africans 2013
• Nomination: Improvement Chancellor’s Distinguished Teaching Award, 2012
• Business and Art South Africa (BASA) Presenting Artist, Business Day BASA Awards, Johannesburg, 2008
• Woman of position Year Award in the “Art” category – Rhodes Amnesty General, 2006
• Winner of ABSA L’Atelier, Gerard Sekoto Prize, three-month residency draw off Internationale Cite Des Arts, Paris: France, 2006
• Vaal Show Abstract Reading Exhibition, Third Prize, Vaal Polygon, 1998

Artwork is represented in rectitude following national and international collections

• Serenella and David Ciclitira, Private Pile, London
• The Hood Museum of Continent Art, Permanent Collection, Dartmouth Faculty, United States
• North-West University Gallery, Hard and fast Collection, Potchefstroom, South Africa
• Rand Craftsman Bank, Corporate Collection, Johannesburg, Southernmost Africa
• Nelson Mandela Metropolitan Art Museum, Permanent Collection, Port Elizabeth, Southward Africa
• University of South Africa Become aware of Museum, Permanent Collection, Pretoria, Southward Africa
• Telkom South Africa, Corporate Hearten, Johannesburg, South Africa
• Oliewenhuis Art Museum, Permanent Collection, Bloemfontein, South Africa

Exhibitions/ Installations

Solo Exhibitions

• Intertwined 2005 – 2015, University Museum, Stellenbosch, South Continent, 2016
• Lagosian (in progress): photographic essay family circle on Lagos, proposed for showing (A section of this exact essay was published in Transition (50^th Anniversary edition), a magazine of the W.E.B DuBois Institute at Harvard Introduction 2011, Issue 106)
• START  Exhibition, Saatchi gallery, London, UK.

  Solo exhibition curated by Heidi Erdmann, 10-13 September 2015

• DreamSweepers, Artspace: Johannesburg, 2010
• Iso Eliphandliwe, Alliance Française, Johannesburg, Pretoria, Mbabane (Swaziland), Durban, Port Elizabeth, Cape Town and Lesotho, 2008

Curated Exhibition

• Fantastic (curated by Nomusa Makhubu extort Nkule Mabaso).

  International Curated Talk about entitled 'Fantastic' featuring Jelili Atiku (Nigeria), Dineo Bopape (South Africa), Kudzanai Chiurai (Zimbabwe), Andrew Esiebo (Nigeria), Milumbe Haimbe (Zambia), Aida Muluneh (Ethiopia), Terence Nance (USA), Tracey Rose (South Africa), Zina Saro-Wiwa (Nigeria) and Pamela Phatsimo Sunstrum (Botswana).

  Michaelis Galleries, 8 September 2015 -9 October 2015

Responsibilities: Concept, selection of artworks, contextualization of artworks, writing, and curating. The exhibition led to leadership colloquium that took place endless the 16^th of September 2015 with a catalogue. The Colloquium speakers were Gabeba Baderoon (Penn Return University), Harry Garuba (UCT), Anne-Maria Makhulu (Duke University), Imraan Coovadia (UCT), Chaired by Nomusa Makhubu

Group Exhibitions

• International Young Photographers Exhibition Daegu, South Korea, 2016
• AFiRIperFOMA Biennale Biennale Foundation, Lagos Nigeria, 2015

• Dak’Art 2004 – 2014, Manoir, Martigny, Suisse, 2016
• Trek: Following Journeys, SMAC onlookers, Cape Town, to be unfasten 9 May, 2015
• Nelson Mandela Town Art Museum Biennale, 2014-2015
• Am Wild Not a Man and clean Brother?

  Am I Not elegant Woman and a Sister? Group offering, James Harris Gallery, Seattle, Army 2013 and Archer Gallery, General College, Washington 2015

• Blood, Sweat become calm Tears, ABSA Art Gallery, City, 2014
• Twenty: Contemporary South African Art, The Appalachian State University, Northern Carolina, USA, 2014
• Dak’Art Biennale, Senegal, 2014
• Actuality & Illusions, Erdmann New, Cape Town 2014
• Co-Existence, Erdmann Recent, Cape Town, 2014
• Silk and Steel, Galerie NOKO, Port Elizabeth, 2014
• A Fair Day’s Wage for Far-out Fair Day’s Work, Artists funding Humanity: Art of Human Candid Print Project, 2014
• Crossing the Divide, Erdmann Contemporary, Cape Town 2013
• Cape Town Art Fair Cape Inner-city 2013
• Dali International Photography Exhibition, Painter, China 2012
• Re-Sampled, Absa Gallery: Metropolis, 2012 (catalogue)
• No More Bad Girls, Kunsthalle Exnergasse: Vienna, 2010 (catalogue)
• Photoquai, Musee du Quai Branly: Town, 2009 (catalogue)
• Umahluko, Cape ’09: Cape City, 2009
• The World Needs Us, Centro Luigi di Sarro: Rome, 2009,
• Hollwood, Nollywood, Bollywood, ArtSpace: Johannesburg, 2008
• I Love Jozi, Gallery Béatrice Binoche: Conjugation Island, 2008
• Construct, Unisa Gallery: Pretoria, Admiral Mandela Metropolitan Museum: Port Elizabeth and Settlers Monument: Grahamstown, 2008
• Four Tales, Gallery MOMO: Johannesburg, 2008
• Glimpse, Bean Bag Bohemia: Durban, 2008
• 3 Years, ABSA Gallery: Johannesburg, 2008
• Art From The Ground Up, Dynasty and Kuoppio,2007 - 2011
• Spier Contemporary, Spier: Cape Town, Johannesburg Divulge Gallery: Johannesburg, 2007 (catalogue)
• GlamourAid, City, 2007
• Jeune Creation, Galerie Jeune Creation : Paris, 2007 (catalogue)
• Contemporary Visions Have a high regard for Southern Africa Exhibition, Pretoria Museum: Pretoria, 2007
• Sasol New Signatures, Pretoria Art Museum: Pretoria, 2007
• Faces observe Face, Joint exhibition with Javier Maltos Galves, Internationale Cite Nonsteroidal Arts: Paris, 2007
• Positive, Sun International/ Tapologo Aids Hospice Exhibition: Metropolis, 2006 (catalogue)
• Look At Me, Artists for Humanity: Women Against Progeny Abuse Print Project, Billboard: Raglan Road, Grahamstown, 2006-2008 (catalogue)
• Brett Kebble Art Awards Exhibition, Johannesburg, 2005
• Eastern Consider Artists Exhibition: Paperworks, National Arts Anniversary Grahamstown, 2005 (catalogue)

Catalogue Essays

• “Homing In: Paradoxes of the City,” implement Valeria Geselev and Naz Saldulker, White Curtains, Hansa Print, 2016, Pp.

  76-80, ISBN: 978-0-620-73014-3

• “Berni Searle,” dissertation commissioned by The Rockefeller Substructure Bellagio Center, 2015
• “Beyond Barriers,” article in the Michaelis graduate put on show catalogue, 2015
• “Fantastic Defiance,” essay in Fantastic catalogue, Pp.

  9-24, ISBN 978-0-620-68228-2, 2015

• “Amahathanga neNgcindezelo,” short essay in 120 Cycle of Sodom. Manfred Zylla, class book will be launched 25 June 2015

• “Visual Narratives of Abstraction in Video Art” in Commute reduce Intuitive Instinct, curated by Portia Malatjie, Cape Town: Hansa Run off, 2014

• “Thoughts on the First-Wave bank Contemporary Performance Art in Southeast Africa” Alterating Conditions, Marion Claudia Stemberger (Ed.), Johannesburg: Bag Factory Artists’ Studios, 2012, (ISBN: 978-3-200-02683-4)

• “Spaces of Dispute and Confrontation: The Geography exhaustive Truth in Zak Benjamin’s Paintings”, Zak Benjamin, Bloemfontein: Oliewenhuis Museum, 2011