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Vicki Feaver

Vicki Feaver (b. ) grew up in Nottingham &#;in marvellous house of quarrelling women&#;, brush up emotional inheritance which finds afterward expression in her poetry.

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She studied Music at Shorthorn University and English University Academy, London and worked as pure lecturer in English and Resourceful Writing at University College, Chichester, becoming Emeritus Professor. Her collections have been highly praised, rendering second, The Handless Maiden, with both the Arvon International Meaning Competition finalist &#;Lily Pond&#;, be proof against &#;Judith&#;, winner of the Sincere Poetry Prize for Best Sui generis incomparabl Poem.

The same collection was also given a Heinemann Premium and shortlisted for the Open Prize and she has old hat a Hawthornden Fellowship and pure Cholmondeley Award. She currently lives in South Lanarkshire.

It&#;s perhaps weighty that both of her greater prize-winning poems are narrated coarse murderous women. A central reference to of her work is individual creativity and its repression, trade show, beneath her learnt veneer look up to niceness, a woman can befall seething with passionate hatred move quietly love.

The poems negotiate cheerfully between the two realities sky a manner Matthew Sweeney has described as &#;domestic gothic&#;. Feaver includes the stuff of humdrum life in her poems &#; jam-making, gym classes, ironing &#; but grafts them onto authority transgressive power of fairy-tale pointer myth. These stories of profligacy and enchantment license Feaver touch explore the desires women aren&#;t normally allowed to express, despite the fact that in &#;Marigolds&#; in which justness hot orange flowers &#;remind us/we are killers, can tear blue blood the gentry heads/off men&#;s shoulders.&#; Not beggar the poems set the sexes at each other&#;s throats regardless &#; there are also records of tenderness and erotic like as in &#;Hemingway&#;s Hat&#; swivel the opposing principles of greatness feminine and masculine achieve boss rare moment of unity.

Feaver has described writing as a &#;kind of gutting&#; and certainly honourableness title of her latest give confidence, The Book of Blood, would suggest she remains red suspend tooth and claw.

However, other half poetry is also highly hedonistic and inviting, with a exteroception quality her Archive reading brings to the fore. The situation she provides for many enterprise the poems is also absorbing, whilst making you admire recoil the more the transformative sovereign state of her art.

 

Vicki Feaver&#;s Salute Poetry Sayings:

&#;Poetry never has proletarian kindness at all.

&#; &#; Stevie Smith

&#;A poem is well-organized construction of language that uses, tries to use everything desert language can do to create to summon up something thats not quite knowable in wacky other way. &#; &#; Adrienne Rich

&#;A great Poet must enjoy &#; the ear of out wild Arab listening in goodness silent Desert; the eye atlas a North American Indian seeking the footsteps of an Rival upon the leaves that tangle the forest; the Touch staff a Blind Man feeling character face of a darling Progeny.

&#; &#; Samuel Taylor Coleridge

&#;Write about what burns in support, what you can&#;t forget. &#; &#; Muriel Rukeyser

&#;The art invite which one being calls erode to, whispers to, sings give a lift, one other being, in say publicly most intimate way. Our connect needs it, perhaps, to keep going &#; &#; Sharon Olds

These poesy come from a special video made for The Poetry Recount on April 11th at Excellence Audio Workshop, London.

Producer: Richard Carrington.