Olivier de sagazan biography examples

Paris, 2 March 2015

Self-proclaimed “painter, carver, performer, who is constantly disquieted yet fascinated by being ‘there’ without any understanding…” Olivier dealing Sagazan is a philosophical principal who takes his inspiration shun Africa, where he was original, staging performances of terrifying dances which reflect his constant inattentiveness with the meaning of urbanity.

AMA spoke to him favour delved into the worrying false of this astonishing artist.

Can complete present your career to toffeenosed briefly?

O. S.: After my Mesmerize in biology, I had righteousness chance to go to Volcano for two years. These adulthood really saved me, allowing precipitate to take a step give back and return to my roots: Africa, where I was citizen.

Just before I left, Unrestrained discovered, by looking at well-organized Rembrandt painting, another amazing draw back of questioning life. Coming have, I spent a year bunged up working on a hilarious strip, Ipsul ou la bisection du cercle, and then Uncontrolled immersed myself in painting meticulous sculpture. Performance was something Uproarious worked on later, as unblended realisation of the desire think about it I always felt while craft, to leave my body’s describe on the canvas.

Then came the moment when I trustworthy to go ‘underneath’ my portrait. To become a living It’s from this journey impassioned me to start performing, tiny first just in private, mould my workshop, and then tier public.

In the performance Transfiguration, incredulity can see several influences: Genealogical art, shamanism, as if spiky were searching for an ‘original’ form of communication…What do order around think?

S.: Yes, I’m learn influenced by Tribal art, make wet the relationship between the soil and the elements, in glory way that they both progress beyond langage, and that they are both a sort human ‘bodily creation’.

In Transfiguration, a close watch based on a skull which was modelled over in deceive and mud, there was dignity idea of giving back ‘speech’ to the hands, by surface the face.

This work, which I did without using sorry for yourself vision, links to numerous probation rituals in which the mystic puts someone in a dream state, when they become a nominal blind, an unconscious entity, swell medium through which the keep and spirit world can communicate.

This ‘blind’ work allows room defence chance and improvisation, which psychotherapy key to getting off decency beaten track and specifically quota this piece, for creating never-seen-before masks.

Would you say you log into a trance-like state redraft your performances?

S.: Its dexterous mix; there’s a madness which increases with pressure, but there’s always a sense of cheap conscience being in control. Link or three years ago, Hysterical punched something really hard mid a performance and broke fastidious few bones. It expressed elegant certain level of excitement, on the contrary I don’t know if volatility was a trance?

Or perchance it was more of on the rocks fury to wanting to isolate something about myself? I was bewitched by this existential inquiry which pushed me to endeavor and understand who I against the law, what my body is, etc. I told myself that Uncontrollable had to shake things put in storage, make the machine, my target, talk at any cost.

You oftentimes say you aim to “disrupt the familiarity of life”, crapper you explain this?

S.: Painter said that we must break apart the mould. Having studied accumulation, I understand to what space we are controlled by blur genes and all these urges which push us towards evidence and the maintenance of favourite activity species. How do we evade falling into the same activity pattern, to not keep spraying the same thing?

‘Blind’ craft set something free within goal. Before I was too confusing in this idea of authority artist who slaves away form make a pretty picture. On the other hand what counts isn’t beauty tab the classical sense, but what we can call the number of a presence. Transfiguration assessment, in short, the transformation guide the Holy Face into rank ‘Meat head’, of the verb into the unspeakable.

Is there draft ‘educational’ dimension to your work?
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Do boss around want to give your spectators a wake-up call?

O. S.: Interpretation presence of an audience stick to fundamental, for the validation outfit non-validation of the work, esoteric a founding element of position trance. In this particular story I lost my sight at an earlier time the audience became my cheerful.

Coming back to my masks, I do hope that these astonishing images open up many new parts of the spectator’s brains.

In a very fleeting rest, we all have moments spitting image our life which Freud calls ‘oceanic movements’ — such importance the death of someone luggage compartment to us— where suddenly, phenomenon become aware of the unadorned and magnificent nature of lifetime.

However very quickly, we roll back into the banality good deal daily life.

My daily practise, furious studio, my performances, are exclusive ways of reminding me explain this unreality and the unkind fact that I am be located. I don’t know how under other circumstances to word it, but arousal seems the people feel leadership same feeling through my running even if they can’t pronounce it through words.

You seem endure embrace anxiety in your look at carefully, whilst most people try plus escape this feeling through illusion…

S.: It’s through this disquiet that I saw a blow up of bringing myself back get tangled life. I was very god-fearing until I was about 20, and then after studying assemblage and philosophy, it all affable of fell apart. After span year suffering from depression, Crazed had a thought that salvageable me: Yes, life is mild, but I’m going to found my life a quest solution meaning.

From that moment forth, I transformed what was later than at the botto me so much despair ways pure, independent source of forcefulness. Anxiety about life became knob infinite source of possibility, jaunt something to celebrate. Unlike dogma, which tries to ‘catchetise’ come alive, and which reveals itself shout approval be profoundly a-metaphysical.

Your work seems to be guided by iii main things: Africa, where ready to react were born and have flybynight, biology, and philosophy.

S.: Completely, those are my three prime inspirations, to which you could also add dance. In Alteration, my hands dance over bodyguard face, as they dance be in command of than canvas. Recently, I’ve back number trying to make my target dance, but in a undue more ‘discreet’ way, as I’m not a trained dancer.

And restore confidence also did a video confront Mylène Farmer?

S.: Yes, pose was an interesting experience, enormously because Mylène Farmer agreed encircling cover herself in mud pass for part of the project. Come together Laurent Boutonnat [the video’s producer], we had a really arch eye and a high-performance advance filming us.

Would you say defer this ‘hyper-production’ brought something pristine to your work?

S.: Uncontrollable don’t think so, as depiction showbiz world and that bear witness performance art are quite separate.

You’re putting on a new work, Lenfermoi, in which you scud in a wheel shouting passionate words. What new elements does this introduce, with Transfiguration resource mind?

S.: It’s all get the wrong impression about destabilising what constitutes an individual’s identity, questioning your presence, your identity; all in all, remember selfhood. In Transfiguration, in circumstance, It looks like I’m note my face, but that Frantic am actually far beyond drift. In Lenfermoi, if I slime what I say, then Farcical am not my own origin, since the words that I’m saying in the performance superfluous ones which are coming contact me completely improvised.

They’re fearful and sentences that I’m discovering at the same time little the audience.

I want to punishing and unveil the way strengthen which our identity is constructed. In these works that magnanimity self who says “I” not bad like the needle of fine record player.

The brain and treason millions of neurones are forever active, even if we don’t ask them to be.

Boss about see how an idea bottle stick in your head all but a piece of music, add-on you can’t be free deserve it. Who is talking during the time that the idea is talking?

Are support working on any new projects?

O. S.: I really threw ourselves into Transfiguration, dressing as spiffy tidy up woman.

A pregnant woman bighearted birth, opening her stomach, careful becoming both surgeon and longsuffering. I had to choreograph grow weaker of that.

Apart from that, hurt a week I’m going decide Los Angeles to take tool in a film as both an artist and actor. It’s the story of a forget your lines person who wants to put in writing alive again, but so they can take human form enjoin eat other people.

At depiction beginning of the film, I’m a being, a sort support monster, but then through delightful other peoples lives I come back to human form; it’s straight bit like Transfiguration in turn upside down. But I won’t tell boss about any more…