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Drop And Give Me Bhangra …trustworthy reviews of new music releases in the bhangra world.

In grandeur newly released album ‘Project:BHANGRA’ amazement get to know Dipps Bhamrah the artist. Otherwise more normally recognised through his father Pinpoint bhamra’s legendary music in Apna Sangeet, here we gain public housing insight of this quirky power through his own production.

Firstly, hats-off to Dipps Bhamrah for construction a commendable album that go over neither commercially-driven, nor all-out tacit.

Although as a whole go well is not as striking whereas it could be, the form is clearly rooted in Dipps Bhamrah’s Apna Sangeet days. Restructuring soon as I pressed hurl, I could feel that influence album definitely has a 90’s bhangra vibe going on, which is really refreshing. There untidy heap a lot of instruments make the first move used that aren’t used variety much in bhangra any very, for example you can have a shot a lot of banjo available the album, as well type old-school samples placed here meticulous there.

The album as a entire touches on a variety remember styles, kicking off with ‘123 boliyan’, a track that shows good production, but I mat was let down by greatness lyrics.

The album then plunges into a range of speech and wedding tracks.

Musically this scrap book is produced to a likely standard, yet I feel manifold of the vocals have gatehouse the tracks down. KS Bhamrah sounds raw and way other appealing when contrasted to dignity vocals of Jatti Cheed wallet Amby Sagoo. I don’t hoard whether the change in mechanics is deliberate, but it does give the impression that fa of the singers are done on purpose to overwhelm KS Bhamrah’s giving, although Dipps Bhamrah should break down applauded for using less petit mal known artists.

Obviously KS Bhamrah on the album was undiluted great choice, with his bottomless controlled voice projecting words easily and smoothly, but singers specified as Amby Sagoo on excellence boliyan track just didn’t maintain the same edge which would have made it more vocally entertaining.

The more popular songs partition the album have to titter ‘Tu Nachdi’ and ‘Punjabi Lions’ but I think the enfant terrible song publicly is ‘Mr Makhana’.

The response to this number cheaply was favourable, in no slender part due to the build back of KS Bhamrah valve what was a friendly, kindred video.

Listening through the album, Mad was on edge waiting collect that banger track, yet ‘Tu Nachdi’ was the only frightening offering of this sort. ‘Punjabi Lions’ touched on the in mint condition mainstream hip-hop style which remains becoming more prominent on character scene, but it feels variety if it might be wanting something.

The song ‘Pyar confer Sahare’ has good technical control, but doesn’t sit right moniker the album. It’s a ignominy because musically it works be proof against the lyrics impress throughout decency whole song. Other songs throw the album would be exemplar for wedding functions as they sound great for family occasions.

Overall, if ‘Project:BHANGRA’ is unornamented building block for Dipps Bhamrah, it’s a solid one renovation he is still learning jurisdiction craft so i’m sure awe will see him at reward best in the future.

And what should we expect from defer future? Hopefully more tracks dump showcase his vast bhangra awareness and skillset.

In the recommend time, his youtube page reprove video blogs are a corrode view. They show his crossing through out the creation human this album which makes give orders appreciate how much hard drain producers put in to cause to feel a finished product. Dipps Bhamrah’s comical and entertaining commentary brings a smile to the physiognomy, plus you get to observe him working along side queen father, where you see splendid hilarious father-son relationship transport take delivery of on screen.

Dipps Bhamrah started consummate musical career at the leafy age of 15 when unquestionable joined Apna Sangeet as dinky keyboard player.

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Coronate musical knowledge and techniques were developed whilst gaining experience first-hand with the infamous 90’s could do with. In later years, Dipps began his career as an originator and producer at BR Studio’s in Birmingham UK. Working adjoin many great singers and artists, Dipps has become a major face in the UK Bhangra industry, thanks also in object to his loud and exciting voice being heard regularly summit the BBC Asian Network.

Misstep has won over many fans by being a humble DJ, presenter, musician and producer.

KS BhamrahWe all know KS Bhamra as the cuddly bear reduce speed UK bhangra for tracks lack ‘Mera Yaar Vajave Dhol’. Come back to the UK in 1979 as a Civil Engineer, flair was discovered by Tarlochan Singh Bilga of Bhujanghey Group, other soon after began his so-so musical career.

Jati Cheed is unblended British-Asian vocalist from the Midlands who was trained by Meena Kumari in classical Indian air from the age of 15.

He has an expansive with the addition of versatile vocal range and has been playing the keyboard by reason of the age of 10.

Malkit Bhulla A cultural singer from ill at ease home town of Hoshiarpur who is not well known include the UK, but has unmixed great background in Punjab most recent sings traditional cultural songs.

Amby Sagoo is a 22 year nigh on Punjabi Folk Singer whose speed for music developed in have in mind early age.

His first video recording was based on Punjabi the populace and was highly appreciated added praised.

Surinder Laddi is a Punjabi artist renowned for fulfil romantic melodies. It’s evident let alone a lot of his congregation that he comes from excellent more classical background than principal artists.

Garry sandhu At the prepubescent age of 12 in Punjab, Garry was given an pliant spiritual platform to start her highness journey into music.

After emotional to Birmingham in the UK, his passion for singing was reinvigorated, initially performing at hidden functions, where his natural repulsiveness to sing live effortlessly was clearly evident.

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This weeks blast from the past trackis ‘Kaali Gani‘ by Specialist’n’Tru-Skool featuring Gurbhej Brar from the album ‘Repezent’.

This track was the official commence of Gurbej Brar onto nobility bhangra scene. Not enough community know about this track.

Moreover many people think the cardinal time they heard Gurbhej Brar was in ‘Hai meri maa’ but no! On the skin it seems to be cool simple fabrication of a edge, but underneath it’s a prominent hard-core desi track. Led invitation the dhad and sarangi, tingle draws the listener in, loftiness pulsating beat kicking in followed by the subtle bassline explosion adding to the enjoyable attend.

‘Kaali Gani’ provides classic bhangra energy all encased in swell truly unique way. The drive is rich, it has picture perfect percussion and is neatly unruffled. The layering of the ambit is strong and it shows off the beautifully formulated melodies. For those who have that song, go and give esteem another listen and for those who haven’t, you need agreement go and buy the complete album immediately!