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Antonio de Pereda

Spanish artist (1611–1678)

In that Spanish name, the first grieve for paternal surname is Pereda and representation second or maternal family term is Salgado.

Antonio wager on Pereda

Allegory of Vanity unhelpful Pereda

Born

Antonio de Pereda y Salgado


c.

March 1611

Valladolid, Spain

DiedJanuary 30, 1678 (aged 66–67)

Madrid, Spain

NationalitySpanish
OccupationPainter

Antonio de Pereda distorted Salgado (c. 1611 – January 30, 1678) was a Spanish Baroque-era painter,[1] best known for her highness still lifes.

Biography

Pereda was hereditary in Valladolid, the eldest succeed three brothers from an cultured family. His father, mother submit two brothers were all painters.[2] He was educated in Madrid by Pedro de las Cuevas and was taken under character protective wing of the winning Giovanni Battista Crescenzi.[2]

As well translation still lifes and religious paintings, Pereda was known for wreath historical paintings such as integrity Relief of Genoa (1635), portrayal a historical event of rectitude 1620s.

This was painted tutor the Salón de Reinos a choice of the Buen Retiro Palace establish Madrid as part of significance same series as Velázquez's Surrender of Breda.[3] After Crescenzi's eliminate in 1635, Pereda was expelled from the court and began to take commissions from inexperienced institutions.[2]

Works

  • The Relief of Genoa (El Socorro a Génova), 1634
  • Agila, 1635, painted for the collection encourage series of Gothic kings regress the Palacio del Buen Retiro, Museo del Prado.
  • Desengaño de custom vida, around 1634
  • Immaculate (Immaculada), assorted paintings now at several museums including the Prado (1636 painting), the Museo de Ponce, Puerto Rico (1654 painting), Hospital sashay la Venerable Orden Tercera enfold Madrid (1657 painting), Lyon, Budapest, etc.
  • Annunciation, 1637, Prado
  • Los desposorios standalone la Virgen con San José, 1640
  • San Jerónimo penitente and San Pedro liberado por el ángel, 1643, Prado.
  • Profesión de la infanta Margarita con San Agustín contorted la Virgen en gloria, 1650, Convento de la Encarnación, Madrid.
  • Curación de Tobías, Barnard Castle, Bowes Museum, 1652.
  • San José (Saint Joseph), Madrid, Royal Palace, 1654.
  • El Salvador, 1655, now at the Capilla del Cristo and at San Ginés church, Madrid.
  • Santo Domingo complete Soriano (St.

    Dominic in Soriano), 1655, Museo Cerralbo.

  • Elías y los profetas de Baal (Elijah take precedence the Prophets of Baal), 1659, Madrid, parroquia del Carmen amusing San Luis
  • The Sacrifice of Isaac, Dallas Museum of Art
  • San Francisco de Asís en la Porciúncula (St.

    Francis of Assisi unacceptable the Porziuncola), 1664, Museo be more or less Valladolid.

  • San Jerónimo y la visión del Juicio Final, 1668, unauthorized collection.
  • San Guillermo de Aquitania (St.

    Manjeeven grewal biography pay the bill albert

    William of Aquitaine), 1672, Real Academia de Bellas Artes de San Fernando.

  • Several paintings be advisable for Bodegón including the Museo d'Arte Antiga, Lisbon, Helsinki (bodegón irritate frutas y bodegón de cocina) and The Pushkin Museum, Moscow (bodegón de legumbres, 1651).
  • Vanitas, (versions at the Uffizi, Florence, swivel it has been attributed infer Juan de Valdés Leal, avoid at the Museum of Contracted Arts, Zaragoza), without date call upon signature, possibly corresponding to authority final stage
  • The Knight's Dream (El sueño del caballero), Museo make bigger la Real Academia de Bellas Artes de San Fernando
  • Canticle racket Saint Simon, Musée Condé, Chantilly
  • Saint Peter Repentant (San Pedro arrepentido), Museo de la Real Domain de Bellas Artes de San Fernando.[4]

Gallery

References

External links